AATISMO builds an unconventional artist’s house
Haniyasu Home by AATISMO overlooks a valley in Kamakura, Japan, a spot formed by earthen cliffs which maintain rows of historic cave tombs carved into the rock. The world carries a dense geological and cultural presence, and the home solutions that weight with a low, grounded profile that follows the slope of the land and retains shut contact with soil and stone.
Designed for the architects themselves and their mother and father, each ceramic artists, the renovated dwelling helps two generations whose lives heart on clay. Home life and making share the identical territory, and the challenge treats this overlap as the start line for each spatial choice. Rooms, work areas, and outside zones interlock in order that firing, glazing, cooking, and resting happen inside an open plan slightly than in remoted rooms.
pictures © Sato Shinya
the earthen Haniyasu Home formed by its pure context
The Haniyasu Home renovation by AATISMO started with a modest single story picket construction in-built 1967. All inside partitions and ceilings have been eliminated, opening the plan right into a single quantity that connects on to the encompassing backyard and sky. Into this open core, new rooms have been inserted on the 4 corners. Their compact, heavy varieties learn as earthen plenty rising from the bottom, giving the composition the character of a small settlement gathered round a shared heart.
This central area operates as a standard plaza the place meals, dialog, and on a regular basis duties happen. Circulation strikes freely throughout the ground, with lengthy views from one nook to a different. Gentle shifts throughout the surfaces through the day, revealing the feel of plaster, soil, and timber. The ambiance feels calm and tactile, with the sound of labor and household life carried by the open quantity.
the two-family house is designed by the AATISMO crew for themselves and their ceramic artist mother and father
cave-like rooms for resting and making
Every of the Haniyasu Home’s natural, nook addition by AATISMO supplies a personal, cave-like room for sleeping and work. The daddy’s studio to the northwest carries deep brown tones created from soil taken instantly from the positioning. A kiln and outside glazing space sit shut by, permitting the whole ceramic course of to happen inside one zone. Instruments, clay, and completed items stay inside arm’s attain.
Throughout the home, the mom’s room takes on a lighter presence, completed with lime blended with bisque-fired clay and fitted with built-in cabinetry and underfloor storage. The architects’ personal area, the biggest of the volumes, options lowered earthen flooring and cantilevered desks used to show furnishings and lighting from their apply. A visitor room doubles as a tea room with tatami mats, a tokonoma alcove, clay-rich partitions blended with bamboo charcoal, and comfortable daylight coming into from above.
4 new nook volumes for sleeping and work rise like earthen plenty
design led by materials experimentation
Materials experimentation guided the development. Soil from the positioning and discarded clay from the pottery studio have been crushed, fired, glazed, and examined in repeated cycles. Exterior partitions acquired layers of web site soil and bisque-fired clay mixed with plaster containing iron and copper powders. Oxidation slowly alters the colour, so the surfaces deepen and shift with climate and time. The 4 nook volumes additionally function seismic reinforcement, concentrating shear partitions in new foundations whereas preserving the unique columns that maintain the tiled roof.
Named after Haniyasu, the deity related to earth and pottery, the Haniyasu Home channels a detailed relationship between land, craft, and habitation. The work of AATISMO provides bodily kind to a way of life the place making continues all through the day and structure participates in that course of by weight, texture.
the daddy’s studio integrates a kiln, glazing, and pottery making inside one steady zone
pure supplies embrace web site soil, clay, lime, and metallic powders
